If I were a carpenter, and you were a lady, would you
marry me anyway? Would you have my baby?
So! Here it is, April once again. April is when I’m supposed to be able to
regain my sanity. The snow should be
gone, of course… even in Minneapolis.
April is when I can say that the recitals, contests, festivals and exams
for my students are finished, and winding down.
April is when we can begin planning our summer outings, music and art
festivals, camping trips and vacations.
April is when I can think and write a little bit.
My
mind usually gets totally engaged in small topics in April. I tend to think deep thoughts about small
things I see and hear. I’ve always
believed this is my mind experiencing the same joy as a black Lab puppy being
released into the fenced-in backyard, released to run as fast as possible in
ever widening circles. No reason other
than the pure freedom of the act.
“What,”
you might ask, “Noble thinker, has provoked your most recent Deep
Thought?” Glad you asked! This is where it gets interesting: Not really any one thing. I like to add random items together to make a
puzzle, which I then have to solve. I
list below the random items:
- Yet another person asked my wife, the tax accountant, if she were very busy presently, due to Tax Season.
- I was asked about my availability to teach a student that began study with a teacher without the qualifications of a professional piano teacher.
- In a movie I was watching, someone asked a professional musician where he was "trained."
- Speaking to me, someone said, “Oh, so you just teach in your home?”
- I heard the song, If I Were a Carpenter.
I
suppose it is pretty difficult to really understand the intricacies of another
person’s job. We tend to see things like
we see icebergs, so we should just trust that there is always more to a
person’s life than we can fathom. It
doesn’t happen that way, though. More
than most people, I know that a tax accountant is not just simply a tax
accountant, and taxes are not just taxes.
The
people that ask Marian about how busy she is are probably trying to make small
talk, maybe show that they empathize with her “busy time.” They understand taxes mainly through their
own filing of income taxes. They know
that somewhere around April 15 their taxes are due, so they assume that maybe
she will be extra busy. Many even wonder
what she does the other 11.5 months of the year. I know that my wife doesn’t file 1040 tax
forms for anyone but our own. She works
at a large corporation that has Global, International, Federal and State income
tax, as well as sales and property tax in all 50 states. The company has a tax department larger than
any public accounting firm she has ever worked in. Each area has their own specialists because
the volume of work, and the knowledge that each area requires, is so vast that
no one person could know all. Nobody at
the company has anything to do with your individual taxes. And they are all busy, all of the time.
But
the tax department at Ecolab is invisible to us. We see the H & R Block outlets, and the
mom & pop accounting shops in small buildings along every street. Taxes Filed Here. Many of our individual taxes are so simple
that almost anyone that can read directions could complete the forms. Most of us do not require a CPA to help us,
and of course we don’t want to pay the extra fees. That is unless something happens. We have several friends that have turned 70
and were shocked by some unexpected taxes that occurred from a required
withdrawal from pensions, IRAs and 401k accounts.
Piano
teachers are much like accountants, in that all are not the same. The people that do your 1040s are not always
highly qualified. If you have a simple
tax situation you could pay anyone to do those taxes. If you want, you could hang out a shingle and
advertise and charge to do taxes for someone else. As long as you claim to be certified you will
be OK. Or until you screw up! You could also hang out a shingle to teach
piano. There is no license
requirement. My mother loves to tell a story
that a slightly wacko lady that she knew years ago wanted to set up a piano
teaching studio. They would be
partners. The lady would do the
teaching, and my mother would provide the music, using my own piano books. Legally they could have done it. They probably would have gotten some students,
too! Not everyone that can play the
piano should be teaching. Not even
everyone that has studied music should teach piano. Knowing music and knowing how to play does
not really qualify you. But there are no
laws, and no minimum requirements.
Directing a school music program, or choir does not qualify you any more
than the ability to fill out a 1040 qualifies you to do complex tax filings.
I
have often wondered where the reference to “training” came from when speaking
of activities that people engage in.
Training, to me, seems like something that we do for animals when we
take time with them. People train their
pets to live comfortably with them in their homes. Some do further training to enter their pets
in shows. We can train dogs and horses
to race. But most activities that people
engage in are “learned” activities. I
think the semantics are important.
Learned activities take a higher level of thinking skills. They cannot be trained. I especially am sensitive to the idea that a
concert pianist is “trained.” So, call
me thin-skinned.
As
a professional piano teacher I realize that learning to play the piano is not
one thing, simple or otherwise. I like
to break down the higher level thinking skills this way:
1) Reading
music, with its complexity of eye movement, coded symbols for physical
movement and timing, and a mental “streaming” is a set of skills that would
confound most computers.
2)
The discipline of daily practice involves the
diagnosis of problems, and the discernment of how to solve those problems. It also involves training the mind to have a
mature attention span, a self-critical attitude about success and failure, and
self-discipline to continue to a satisfactory end.
3)
The interpretation of the musical intent of a score involves
higher level coding that regulates the speed within a set pulse, and regulates
the level of sound from the softest to the most powerful.
4)
Memorization involves setting and maintaining
multiple cues, signals and imagery that allow an unbroken recitation of complex
physical, mental and emotional acts.
5)
Performance skills allow a musician to coordinate both
conscious and subconscious minds, focus through multiple distractions and react
with control to unforeseen missteps during any given performance.
The
skills listed above are not things that can be trained. For many people they are not even skills that
can be learned. To become proficient at
all five of these a person must develop a remarkable mindset, and develop their
brains to a level they might never really understand. I like to tell my students that they are
artists, scientists and athletes, all rolled into one. I believe that. My students are not trained. They are taught to become independent
thinkers and musicians.
I
am presently enjoying a second career.
My first career was as a university teacher. My main duties were to teach applied piano to
undergraduate and graduate students.
They had steep requirements to get their degrees. They participated in competitions, played
often in both informal and formal recitals, played with ensembles and soloed
with orchestras, as did I. As a
university teacher I performed often, was asked to make presentations at
conferences and adjudicate competitions.
I was eagerly asked to serve in offices of the state music teachers
association, and serve as a faculty mentor to male music students at ten
different universities, under the auspices of a national music fraternity. All of this recognition came to me, before I
had earned it, as a result of my position on a university faculty. Although I think I grew into this position
and recognition, I know that the scenario would have been different had I been
an independent piano teacher in the same place at the same time.
When
I retired from university teaching, I became that independent teacher. My studio in Minneapolis has grown, and I
have enjoyed many very talented and hard working students. Some of my students are of average ability,
and I love them too. They work hard for
me, and I love to see the progress they make.
They may never become gifted performers, but they may learn enough to be
able to express themselves and play for the rest of their lives. It does pain me a little when I hear someone
say, “Oh, so you just teach in your home?”
I doubt if any real malice is intended, but under the surface there is
this idea that your place in the profession of music teaching is somehow
diminished. The Department of Labor
would even go so far as to categorize we independent music teachers as engaging
in a “cottage industry.” Oh, well!
The
final thought came as I heard, If I Were
a Carpenter. I always liked this
song, especially as sung by Bobby Darrin.
I think the lyrics are fairly poignant.
Somehow the lady, we presume wellborn and upper class, may not be able
to love the carpenter. We are presented
here with a challenge. Are we simply
going to accept the idea that a carpenter, skilled labor, is somehow a lesser-respected
person that say, a university “trained” professional? Is the difference inherent? Is there a moral or intellectual difference
here? We are challenged to decide. How many of us are willing to pre-judge by
chosen profession? I good friend of mine
was the pastor of a United Church of Christ church. He had a Masters degree in Theology. He had a vibrant congregation, and I was his music
director. When I accepted my university
position in Louisiana, I later found out that he had resigned from the
pastorate and had become a carpenter.
Did he lose his professional prestige at that point? Did he notice that people accepted him in a
different way after his change of life?
We might ponder this. Now that it
is April, we might have the freedom to think on this, and other of life’s persistent
questions.
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